Next stop, Sundance Film Festival
Nicholas McCarthy’s feature-length film, “The Pact,” will be shown Friday at the
See full story (Jay L. Clendenin / Los Angeles Times)
McCarthy spent much of last February and March at Kaldi Coffee & Tea in Atwater Village. He arrived each day in the early morning, ordered coffee with cream, stuck a dollar bill in the tip jar, spread out his work on a metal table and began plowing ahead, often not going home until night. It took him six weeks to finish the screenplay for “The Pact.”
See full story (Jay L. Clendenin / Los Angeles Times)
McCarthy directed and edited “The Pact” last summer and fall. The 89-minute feature will premiere at
See full story (Jay L. Clendenin / Los Angeles Times)
McCarthy watches the feature-length version of “The Pact,” starring Caity Lotz, one last time at Secret Headquarters, a post-production company, before shipping it to Park City for the premiere. McCarthy’s short version of the film played at
See full story (Jay L. Clendenin / Los Angeles Times)
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In the summer of 2000, McCarthy moved to Los Angeles. He was 29, with no job, no permanent place to live. He slept on his sister’s couch for a while; she had moved here to work as a business executive. But he wanted none of that life. He found a $500-a-month apartment on Sunset Boulevard and struggled to pay his bills. There were years without health insurance, months without work. In 2001 he was hired as an office assistant at a company making a video called “Flesh + Steel: The Making of RoboCop.” He got fired after six weeks. His escape, as always, was the movies. When he wasn’t watching them (sometimes 10 a week), he was talking about making them. He now lives in Silver Lake.
See full story (Jay L. Clendenin / Los Angeles Times)
McCarthy helps his daughter Agatha, 2, brush her teeth before taking her to a weekly gymnastics class. McCarthy married a college friend, Alexandra Lisee, in 2007. She has been willing to support his dream to make a film, agreeing with this his plea to put the latest effort on a credit card. The result was “The Pact,” a haunting short that follows a woman struggling to deal with a traumatic past after her mother’s death -- and the mystery behind a locked basement door.
See full story (Jay L. Clendenin / Los Angeles Times)