This ingenious multimedia import from Britain’s Kneehigh Theatre paid homage to David Lean’s beloved 1945 movie by translating Noel Coward’s fable of futile romance into a playfully eccentric language that blends theater, music and film in a winning populist manner. (Pavel Antonov / Associated Press)
Chris Pine, straight from his “Star Trek” launch into the celebrity stratosphere, added a crackling believability to Beau Willimon’s drama about the thankless dirty tricks and ruthless back stabbing of those conducting the spin war for aspiring presidents. (Kirk McKoy / Los Angeles Times)
The Donmar Warehouse’s scaled-down version of Jason Robert Brown and Alfred Uhry’s 1998 musical about the execution of injustice done to Leo Frank, a Jewish factory manager dubiously convicted of the rape and murder of a teenage employee, featured a top-notch cast led by T.R. Knight and Lara Pulver. The material is admittedly very stark for a musical, but Brown’s Tony-winning score lent an astonishing degree of moral nuance and color. (Anne Cusack / Los Angeles Times)
One of two superlatively staged Enda Walsh plays imported by UCLA Live from the Galway-based theater company Druid Ireland, and the one that most impressed me with the author’s uncompromising neo-Beckettian ingenuity. (Glenn Koenig / Los Angeles Times)